This month was the highly anticipated release of the Netflix adaptation of The Umbrella Academy. This weird little comic by Gerard Way and Gabriel Bá has been living in my heart since 2007, and I was terrified and excited to see it come to the small screen.
Netflix has done all right by the Marvel superheroes, but The Umbrella Academy is a different sort of beast, with way more emphasis on the emotional dysfunction of superheroes than on the superheroic fights. (Like, even more so than the current age, which thrives off superhero dysfunction.)
All my expectations were exceeded and my fears assuaged because this is a beautiful adaptation of the source material. And it is truly and wonderfully an adaptation, not a reproduction (which would have been kind of a nightmare). It’s different from the original, borrowing from both the “Apocalypse Suite” and “Dallas” storylines and combining them into something that is both familiar and different. It has the right vibe, is both tragic and comedic (as all good superhero things should be), and it has these recognizably broken and beautiful characters at its core. (Also, it gave me more Ben Hargreeves, which is something I have been wanting for OVER. TEN. YEARS.)
Watching this series over the course of a few days while also putting the final revisions into my highly linear and much less dysfunctional novel reminded me of how much I love nonlinear storytelling about broken characters. (Not enough to change my novel again—it’s been changed enough!) I’ve been noodling over a sci-fi short set in space, not sure how to attack it, and I think the problem I’ve had every time is I keep trying to treat it like a linear narrative and I don’t think it is. The characters are messier and the dramatic motivation is murkier and I think I need to channel a little of what I love about The Umbrella Academy into writing it.
Here’s to the things we love and how they inspire us.
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