Tag Archive for: writing:inspiration

Since I’m sharing a prompt and a response on my blog this February, I thought it was a good time to talk about how I’ve been approaching writing prompts.

I’ve written from prompts and exercises for a long time, but in the last year-plus of working on the Story Kernels podcast, I refined my approach to prompts and now have a fairly quick and painless process honed for mining inspiration from any prompt.

That’s right, I said ANY prompt!

Okay, that is a bit of a boast because, let’s face it, some prompts leave us dry, right? But I also have strategies for bringing things to a prompt to flesh it out.

Let’s get into it! (Into the prompt, I mean.)

Focus the Inspiration

Prompts come in a variety of flavors—situations and scenarios, random words, pictures, music, topical writing, and so much more. With any prompt, the first thing I do is focus on what’s hooking my attention.

Blazing campfire at night throwing a scattering a sparks into the air like ideas floating from the flame of inspiration and the kindling of writing prompts.

Photo by Toa Heftiba on Unsplash

Sometimes that might be a single sentence in a longer prompt, or just one word from the random four I was given. The size of the “in” doesn’t matter—one moment that sparks my inspiration is all I need. That one bit will form the foundation of the idea and introduce a location, a situation, or a what-if. So long as it gives me something to build on.

From the foundation, I let my mind wander to other connections. Sometimes those connections are inspired by other elements of the prompt (pulling in a second word or another sentence or corner of a picture), but other times the connections are all from me. Robots, AI, time travel, vampires, death rites, clones, Victorians, gender nonconformity—this stuff is constantly on my mind and can be connected to any prompt foundations to spark a flame in an otherwise guttering prompt.

Who Am I Writing About?

I am a writer who needs a character. Occasionally I might start by writing about a place or the feeling of a space (if the exercise is forcing me to), but I quickly coalesce those observations into a person. I believe pretty strongly that story = character + conflict + choice, so for me to write anything—even just 100 words—I need a character.

I don’t need to know everything about the character to respond to a prompt—much of what I know about them will be discovered as I write—but I do need to have a general idea of how they feel about the situation they’re in and a name (even if it isn’t the “perfect” name).

Play Time!

Once I have that foundational idea and a character, I’m ready to play. Playing with prompts is about discovery. The more I write, the more I learn about the character and situation. I might cut in, insert a few blank lines and start a thought over. Or I might get to the end of 100 words and realize the character they’ve been talking to isn’t their friend, and I’ll go back with that new thought in mind. Nothing is set in stone and my initial time writing the prompt is all about figuring out what I want to do with it.

Most prompts are just that—play time. An opportunity to stretch my creative muscles and write without a plan. (GASP!) But sometimes—oh, sometimes—a prompt unlocks a much longer story, and I wind up using that initial piece as a starting point. Then, the play switches to planning. Which is a whole different (and much longer) blog post.


If you want to know more about approaching writing prompts, I include a brief description of where I started with each prompt posted to this blog and Patreon. Writing prompts will be posted to this blog every other month, but if you want to see them more frequently (and see more prompts), join us on Patreon. Monthly Writing Prompts are included on tiers starting at $3/month.



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Woof. As far as months go, this one has been stressful.

I’d like to claim it was good stress, the kind that causes me to dig deep and get things done, but mostly it was the kind that drains my energy and leaves writing time as struggle time.

Boats on a dry river.

Photo by Chester Ho on Unsplash

Other responsibilities, lots of piling work, emotional decisions, health concerns, invitations to socialize, and an overwhelming feeling of exhaustion all left me with a case of creative burnout. I struggled to translate thoughts into words. I felt like I didn’t have the time to devote to complicated projects. I was easily distracted and found making narrative decisions a challenge. Some days I looked at the open document and just sighed heavily and felt a gigantic “no” welling in my chest.

Those are tough feelings to carry as a creative, especially one working on their seventh consecutive year of daily writing!

But I am still working on that streak, so I was able to write, despite drawing from a creative well that felt scraped clean.

  • One of my tried-and-true methods of writing when I’m feeling drained is to work on something easier. “Easier” for me often means blog and Patreon posts or other nonfiction writing. Sometimes it also means planning a novel, rather than drafting one. (Writing a synopsis that can meander and have terrible ideas is a lot easier than crafting scenes that have to connect.)

    Frequently if I can get 10 or 20 minutes of the easier project done, I’ll feel warmed up enough to tackle the more complicated project, or I’ll have hit a word count that makes me feel comfortable spending time on a project that involves thought more than words. (This is the trade-off for having yearly and monthly word count goals, by the way.)

  • Another method that frequently works is to grab a writing prompt and start something new. A writing prompt is a fresh start with no baggage. That level of freedom can be easier to interact with than a project I’ve been contemplating or working on for a long time. Sometimes those doors opening to an empty space feel more inviting than a half-decorated room, and it’s easier to put pen to page and draft some words to warm up for the day.

    I admit, when I first started using prompts this way, I struggled with feeling like I was wasting my time because not all of those starts turn into finished stories. It required a shift in my thinking to allow myself room for creative play and to accept that sometimes what I need is free range across a blank page with no expectations—including no expectations of producing finished work. (That said, I have turned at least one prompt into a finished story in the last year, and there are a few others I’m still thinking about, so that’s not a waste at all!)

  • Writing long-hand instead of working on my computer is another way of freeing myself. My computer is where so many of my responsibilities live, so sometimes it’s distracting to use as my main writing tool. (That’s also why I try to do tasks in specific locations—editing at my desk, writing in my bedroom, etc.) Switching my writing tool can unlock the part of my brain held captive by my exhaustion and other responsibilities. A notebook, or sometimes my iPad, can offer a different view on what writing looks like and provide the fresh water I need to refill my creative cup.

It’s been a struggle to write daily this month with everything else going on, but day by day I’ve been getting it done by using one of these tools when things got a little tough and I needed to rely on something more than my own stubbornness.



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This month was the highly anticipated release of the Netflix adaptation of The Umbrella Academy. This weird little comic by Gerard Way and Gabriel Bá has been living in my heart since 2007, and I was terrified and excited to see it come to the small screen.

The Umbrella Academy comicsNetflix has done all right by the Marvel superheroes, but The Umbrella Academy is a different sort of beast, with way more emphasis on the emotional dysfunction of superheroes than on the superheroic fights. (Like, even more so than the current age, which thrives off superhero dysfunction.)

All my expectations were exceeded and my fears assuaged because this is a beautiful adaptation of the source material. And it is truly and wonderfully an adaptation, not a reproduction (which would have been kind of a nightmare). It’s different from the original, borrowing from both the “Apocalypse Suite” and “Dallas” storylines and combining them into something that is both familiar and different. It has the right vibe, is both tragic and comedic (as all good superhero things should be), and it has these recognizably broken and beautiful characters at its core. (Also, it gave me more Ben Hargreeves, which is something I have been wanting for OVER. TEN. YEARS.)

Watching this series over the course of a few days while also putting the final revisions into my highly linear and much less dysfunctional novel reminded me of how much I love nonlinear storytelling about broken characters. (Not enough to change my novel again—it’s been changed enough!) I’ve been noodling over a sci-fi short set in space, not sure how to attack it, and I think the problem I’ve had every time is I keep trying to treat it like a linear narrative and I don’t think it is. The characters are messier and the dramatic motivation is murkier and I think I need to channel a little of what I love about The Umbrella Academy into writing it.

Here’s to the things we love and how they inspire us.


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If you feel drained of ideas and motivation, that could be a sign that you need to take a writing break and let yourself entirely off the hook. Spend the day reading a book, catching up on TV, or actually, you know, interacting with people. I find that having conversations with other writers and creators is often the best way to find inspiration again.

But let’s assume for a moment that you can’t take a break and you have to write no matter what (ahem, like when you’re in the middle of NaNoWriMo). What do you do on those days when you have to force yourself to write?

Maintaining a Streak

If you’re writing to maintain a streak and it doesn’t matter what you write, so long as you write, it may be a day to shelve the current work in progress and try something new.

Shift over to your ideas notebook, grab a random prompt from the internet (there are a jillion, so if you don’t have a favorite site bookmarked, Google “creative writing prompts” or “writing prompt generator”), or ask your friends if there’s a story they’d like to be told. I’ve written some fun one-offs about my original characters inspired by things my friends prompted me or scenes they wish they’d read.

If you’re still struggling to get any words on the page, or are generally finding yourself uninspired, it’s time for some free writing. This free writing could eventually evolve into a blog post or story, but it might just be an activity to get you writing again.

Start with a question about what’s bugging you. This could be anything from, “Why am I so tired today?” to “How am I so uninspired?” Once you have that question nailed down, twist it into a question you can analyze and/or give advice about. “Why am I so tired today?” might become “How can you write when you’re tired?” or “What’s the greatest obstacle between a writer and a nap?” or “Why is sleep so important to the creative process?” Once you have a question, and one that is built on a topic that’s currently bugging you, you have something to write about. And turning it into a question that you can either analyze or give advice about lets you turn free writing about your problems into a positive exercise. Too often free writing about problems can turn into negative thoughts and self-immolation, but turning it into a question to be answered lets you think about the same topic in a completely different way and hopefully can inspire you to help yourself!

Writing to a Deadline

If you’re writing for a deadline and you must work on a specific piece, the real problem is that you have to find inspiration in a specific work, so jumping to other pieces isn’t always an option.

But it’s still where I would start.

When feeling totally uninspired on one story, I start by writing on something else. If you have another project in progress, spending some time on that might reinvigorate your motivation for the deadline project. If no other project is available, you can take any of the suggestions above and apply them here—prompts, free writing with a question, etc.

No matter what you’re writing, set a timer to limit how much time you spend working on other activities or projects. I recommend 10–15 minutes for warm-up writing before trying to get back to the project you’re supposed to be working on.

Or, instead of writing something different, you can use prompts that allow you to work with the same characters or the same world, essentially approaching your deadline project from the side instead of head-on. Try posing what-if situations for your characters, alternate scenes/endings, or writing something from the perspective of someone else in your world.

You can use a similar strategy as the suggested free writing activity by answering a question related to the thing you’re stuck on—”How can my character get out of this situation?” or “Who should my character partner with for this mission?” or “How does the world’s society/laws limit my character?” Using the free writing format as an opportunity to organize your thoughts can help you work through the problem in a different way than just thinking about it. (This is why so often solutions might come when we’re talking to someone else, rather than when we’re just thinking to ourselves. Different ways of communication allow us to organize our thoughts differently, so if you don’t have a friend on hand, have a conversation with a blank page!)

If you absolutely must be working on your deadline-driven project and don’t have time for warm-up activities, try reading the last 1-2 pages you’ve written and allow yourself to revise and edit them. One of the best ways for me to get back into a story is by working to flesh out the last thing I wrote. If the last thing I wrote is literally what stumped me—and I had difficulty figuring out where the story goes next—I rewrite from where the story started to derail. Sometimes I might keep all the action and description, but change the dialogue. Sometimes I might move the setting. Sometimes I might scrap the entire idea, or even shift who is in the scene and take the whole thing in a completely different direction! It may not feel like you’re getting anywhere (especially if you end up trashing that version and starting again), but what you’re doing is eliminating the ideas that aren’t working and helping find the idea that does work.


No matter what’s going on with you creatively, there are ways to dig deep on those days when you’re feeling drained. And the more often you practice digging deep, the easier it can get. I still sometimes hit days when I’m totally worn out and need a break, and on those days I write my minimum word count using one of the strategies above and call it a day. But because I’ve put in so much effort, it’s easy for me to use one of those strategies and see success. So even if it’s hard now, know that putting in the hard work will help train you as a writer and eventually you’ll be able to sail past those inspiration-less days with no trouble.