The Write Life: February

This month was the highly anticipated release of the Netflix adaptation of The Umbrella Academy. This weird little comic by Gerard Way and Gabriel Bá has been living in my heart since 2007, and I was terrified and excited to see it come to the small screen.

The Umbrella Academy comicsNetflix has done all right by the Marvel superheroes, but The Umbrella Academy is a different sort of beast, with way more emphasis on the emotional dysfunction of superheroes than on the superheroic fights. (Like, even more so than the current age, which thrives off superhero dysfunction.)

All my expectations were exceeded and my fears assuaged because this is a beautiful adaptation of the source material. And it is truly and wonderfully an adaptation, not a reproduction (which would have been kind of a nightmare). It’s different from the original, borrowing from both the “Apocalypse Suite” and “Dallas” storylines and combining them into something that is both familiar and different. It has the right vibe, is both tragic and comedic (as all good superhero things should be), and it has these recognizably broken and beautiful characters at its core. (Also, it gave me more Ben Hargreeves, which is something I have been wanting for OVER. TEN. YEARS.)

Watching this series over the course of a few days while also putting the final revisions into my highly linear and much less dysfunctional novel reminded me of how much I love nonlinear storytelling about broken characters. (Not enough to change my novel again—it’s been changed enough!) I’ve been noodling over a sci-fi short set in space, not sure how to attack it, and I think the problem I’ve had every time is I keep trying to treat it like a linear narrative and I don’t think it is. The characters are messier and the dramatic motivation is murkier and I think I need to channel a little of what I love about The Umbrella Academy into writing it.

Here’s to the things we love and how they inspire us.

 

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The Write Life: January

While I was addressing comments on my steampunk novel, Lara Eckener was kind enough to share Victorian drop candy with me! Drop candy is made by rolling heated sugar between brass molds. As it is pressed between the molds, the sugar cools and hardens. To release the candy pieces, the rolled film is dropped, breaking the thinner film away from the candy, thus making it “drop” candy.

The candy itself is from a confectionary in Tallahassee called Lofty Pursuits. They have a magnificent YouTube channel showing their Victorian rollers in action and other videos of their hand-made candy.

The picture here is the drop candy composed around a section of the novel in which the main character watches automated robotic arms roll out and drop nectar candy. (Lofty Pursuits was absolutely the inspiration for adding this world-building moment.)

 

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The Write Life: December

I started December by finishing off a final revision of my Clockman novel. (Yes, another final revision.) This pass included addressing some concerns I had about Chapter 12 and then reviewing the entire manuscript for filler words and adverbs to make sure the sentences were as tight as they could be. I used some of the website apps I’ve talked about previously in Writer Resources (available on Patreon) to assist with these passes, which made looking for filler words and adverbs a breeze.

The manuscript is currently off with a friend from the MFA and my MFA thesis director, and I’m doing a final (“final”) hard-copy review wherein I’m discovering horrifying typos and further tweaking sentences (because I. Am. Unstoppable!) Our formerly feral cat Pink is assisting in this work, but he keeps falling asleep on the job (sometimes literally on top of the book).

I’ve also been preparing a presentation on Non-Traditional Revenue Streams for Writers (like Patreon), which I’ll be presenting at the OCLS Writers Conference on January 26. If you’re local to Central Florida, make sure you register soon! (Seats are going fast.)

 

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