Tag Archive for: writing:planning

Starting a new writing project can be overwhelming. Even when I’m excited, there’s so much ahead. There’s words, time, decisions, commitment—and when I think about how many words it takes to draft and revise a novel or how many things are still undecided or how many hours (and then days, weeks, and months) are between me and the end of my book, it can stall my momentum. So, it’s important for writers to have some idea of how to create writing motivation.

Lack of motivation isn’t the same thing as a lack of desire. I wanted to dive into my novel back in November, but I only managed to work on it for 15 days before the end of 2023. (Which for some of you probably sounds amazing, but as a daily writer, it’s much less so.) Some of those distractions were related to life—the holiday season, illness, commitments to friends and family—but some of it was from a lack of motivation. Luckily, writers can create writing motivation, it just requires some ingenuity, a toolkit, and knowing yourself really, really well.

Create Writing Motivation

Identify the Easiest Goal

Start by identifying the easiest goal that will also make you feel good about your progress. There are three rules to follow when identifying this easiest goal:

  • Choose something you can achieve every time you sit down to write.
  • Choose something that also gives you room to exceed your goal.
  • Choose something that will feel like progress.

For example, if you usually write 250–300 words when you sit down to write, your easiest goal might be to write 100 words on your novel every time you write. 100 words is less than you normally write, so you know it’s achievable, and since you normally write more, you have room to exceed your goal and feel great about your progress. And just imagine the day you write 500 words. That’s five times your usual goal! Now that’s a lot of progress.

Goals you might consider include:

  • word count
  • time spent writing
  • completing scenes or beats

Track Your Habit

Record each time you meet your writing session goal. You can use any kind of tracker you like but use something that will create writing motivation.

Physical or visual trackers can be good for seeing how small progress grows. You can mark days on a calendar, fill in blocks on a bullet journal, award yourself stickers, or use an app with a visual component (various graphs and chains are common in tracker apps).

It can also be helpful to have a tracker that automatically accumulates your progress. Like, a word count tracker where you fill in daily word counts, but the tracker informs you of how many total words you wrote and on how many days you worked. That data can help motivate you on future weeks and months to challenge yourself to reach a little further—or it can let you off the hook, so you know you’ve got padding for any rough days ahead.

Break Your Plan into Manageable Chunks

Stop looking at your novel as writing and polishing 100,000 words, or even as writing 30 chapters. Don’t think about working on your novel for three hours every day for eight months (or the end math on that being 720 hours).

Start with that big picture, and then break it into smaller and smaller chunks until you find the chunk that sits comfortably in your head and motivates you to write.

You might need to break your novel into:

  • which chapters you’ll write each quarter of the year
  • which chapters you’ll write each month
  • how many scenes you’ll write each month (or week)
  • how many words or hours you’ll write each week (or day)

How you divide your plan into chunks doesn’t have to match your easiest goal—and may help if it doesn’t! Keeping an eye on time for your easiest goal and word count for your plan can provide multiple ways to create writing motivation. If you don’t have twenty minutes to write today, but you can quickly slap together your planned landmark of 200 words, you’re more likely to write than assume it’s a wasted writing day.

The Key to Motivation

The real key to learning how to create writing motivation is to give yourself as many motivators as you can. Word count goals, time goals, scene or chapter or date goals can all help move you forward—as long as they speak to you.

You might rely on a few rewards or prizes along the way, too. Some days that negotiation for a hot chocolate if I write 500 words is the thing that gets me from 437 words to over 500.

Accountability buddies, social media check-ins, and other ways of reporting your progress to someone can also create writing motivation. Knowing yourself, knowing what motivates you, and adapting other people’s suggestions to what you know will help YOU create writing motivation is the difference between starting your project and finishing it.

 

 

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If you’ve been following along for the past year, you already know I’ve been taking a long break from novel writing to take care of my parents. With the major illnesses under control, and adjustments and new routines established, I can finally inch back into novel writing. This means refamiliarizing myself with plans, getting back into the characters’ voices, and figuring out what’s been percolating in my head while I’ve been away. In short, it’s a novel writing return!

I know I’m not the only one who’s been in this situation—coming back to a novel after a long (sometimes years long) break—so I wanted to share what I did this month to reconnect with my novel.

Take Stock Before Writing

The first step is all about taking stock and figuring out where you left off. For this novel, it included reading over the outline and making notes where the plot seemed a little draggy. (Turns out in the two years away, the outline did not magically fix itself.)

I have many different parts of this story drafted, but since I’m working from a new outline, I decided to not bother rereading any drafts. I will be incorporating things from previous drafts, but I think I’d prefer to revisit those as I get to each scene since my outline is so detailed.

I also discovered I created a writing schedule, which will help with the next step….

Update the Novel Plan

Updating the novel plan starts with updating the outline. I only had a few notes to address in the opening chapters, but they required shifting scenes and chapter breaks, which also created a need to update the story map. (The story map is a document that tells me who is in each scene, where it takes place, and which plot threads it involves.)

The novel plan also includes plans for how to write the novel, specifically what my writing schedule will be. The schedule I previously devised had me writing 3–4 scenes per week, and while I aspire to that level of productivity, it’s just not realistic with my other obligations.

Instead, I looked at the estimated word count of each scene and then doubled that number (because I know the chaotic, word-heavy way I draft). Keeping a realistic goal in mind, I decided I am unlikely to write more than 4,000 words per week, so that base schedule has me writing 1–2 scenes per week.

Renewing Voice

Reconnecting to a novel includes reconnecting to the characters. Because it’s been a hot minute since I wrote anything substantial for these characters, I wanted to reacclimate myself to their voices. I picked a few moments and various character combinations to write about and went at it!

Making my novel writing return by starting with some odd moments let me approach the writing at a slower pace while I was still finishing plan adaptations. It also meant I could test some of my plans to see how much I can actually write on a busy day with my new routines and schedules.

Novel Writing Return!

The hardest part of the return is to stop dawdling and get writing. That means officially writing a scene that will—gulp—go into the novel.

So that’s for next month! 😅

(Seriously, updating the outline and story map took longer than I originally thought it would—but no regrets about that time spent! For me, the planning stage is important to keeping my brain on track and untangled as I draft. Other writers struggle with the planning and revision; my writing struggle is drafting.)

I am coincidentally starting my draft in November, though not doing NaNoWriMo. Anyone else setting ambitious writing goals outside of a challenge structure?

 

 

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Unsurprisingly, I spent the majority of my writing time and thoughts in October looking ahead to National Novel Writing Month. As a municipal liaison (that’s one of the volunteers responsible for creating events at the local level), my focus tends to be on others, rather than on myself. I spend my time scrounging up volunteers, scheduling write-ins and other motivational content for the month, promoting our events and NaNoWriMo as a whole, and encouraging everyone to prep their novels so they can put their best foot forward on November 1st!

But that doesn’t leave a lot of time for my own preparations.

Those responsibilities are collectively one reason I tend to take the rebel route during NaNoWriMo and rarely work on a single project, and never work on a new project. All the projects I tackle during the month of November tend to be an already in-progress novel or a collection of smaller works.

This year I’ll be spending time drafting new scenes and revising old ones in Gay Airship Pirates, continuing to draft a course I’m teaching in February on punk subgenres (links for that as soon as they’re live!), and bouncing around between fanfic, blog posts, and whatever other topics happen to catch my heart strings.

I have been having a lot of difficulty clearing the mental clutter of late, so I’m also going to be working on a semi-daily project where I take a prompt and write for 15 minutes. The prompts I’ll be using will be gathered from a range of places, including some resources I’ve mentioned in Writer Resources posts on Patreon (and a few I will be sharing soon). I’m hoping that engaging creativity in a multitude of ways will keep the prompting fresh and shake loose any mental blocks I’m having around creativity so that when I hit my designated noveling time, I’ll be ready to get to work.

What do you do to get yourself ready to write? Do you have any tips you want to share for anyone tackling NaNoWriMo this year?

 

 

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This month my writing life was focused almost exclusively on outlining. (Also on Kate Bishop, since I wrote an article about the other Hawkeye for SlashFilm in anticipation of the Disney+ Hawkeye series debuting Nov 24.)

DragonCon kicked off my September with a workshop by Bethany Kesler called “This Is How We Time/Space Travel and Other Chronological Pitfalls.” Bethany’s session got me thinking about leaning into the alternate history of my Gay Airship Pirates novel, and I started noodling new options for the outline.

How would I emphasize the historical elements when I hadn’t framed the story around history? Does the history complement the story I actually want to tell? Am I putting too much pressure on myself by developing a historically based world?

I put all these questions aside while I worked on a new plot, shifting the antagonist’s focus and grand plan, and retooling the breadcrumbs that would allow the heroes to discover (and be threatened by) this new mystery. Some things didn’t work as neatly as they did in the previous outline, but I figured out a stronger motivation for the opening scene, there weren’t any huge gaps, and I added a longer denouement that more fully resolved one character’s emotional journey.

And then I was selected for a one-on-one with Hannah Kates during the virtual writing retreat Write Hive Lite. (Insert pitch to check out the Write Hive community and all their valuable programming.) Obviously, I needed Hannah to look at my new outline, right?

I submitted my outline for her review and then sat back to think… about those questions I asked myself and then ignored. 😬

Here’s a secret a lot of writers hate to know: when you’re struggling to make a decision, you have the answers, you just want someone else to tell you that you’re right. And that is exactly what my one-on-one with Hannah turned into. I knew what I wanted to do with the story and how I wanted to proceed, but I needed someone enthusiastic about the premise and who had distance from the years-long development process to tell me to trust my instincts.

Which is why I’m revising the outline. Again. To remove the historical elements. 😂

But here’s the awesome thing about doing all that work focused on bringing in more history: I now know that’s not what I want to do. Up until now, I’ve been second-guessing myself and allowing that doubt to hinder my progress. Also, looking at the story from a different angle let me find new solutions to old problems and I’ve got a better outline because I did the work!

The planning stages of writing can be frustrating and sometimes un-fun, but it’s important to put in the time thinking about a story and how everything comes together to ensure the story actually works once you get to drafting. Having an impartial person to talk to about that process was exactly what I needed to move forward.

This seems like a good time to mention that while I’m currently closed to new patrons for my editorial tiers, I’ll be opening new Patreon tiers later this month. The best way to get notified of when they’re available is to follow me on Patreon or Twitter.

For full access to The Write Life, sign up on Patreon for $1 or more per month. You’ll also receive a personalized thank you in a future edition of The Write Life.

January was certainly a difficult month for finding focus, but somehow, I chipped through the distractions a little at a time to get myself organized for the next few months. Much of that organization came in the form of setting up a Click-Up workspace so I could lay all my various projects and schedules side-by-side to have a closer look at the overlap and impact of saying “yes” so many times.

It’s been a lot of work to get organized—and I still have many projects that haven’t been fully mapped—but getting the majority of the next couple months captured in the same space is helping me feel more in control of my goals and obligations.

In general, I’ve been doing a lot more planning than I have in the past, including planning my writing projects. I talked last month about how I began breaking a steampunk novel into a three-part novella, which has required a lot of different stages of outlining and using multiple tools for organizing. I continued that planning work in January, applying some of the same organizational tools to smaller projects, which made setting up an outline for a short story a breeze—it also alerted me early on that the number of subplots I had dreamed up would put a heavier load on the story and I should either expect a longer word count or pull out the scissors.

(Some of those organizational tools I’ll be talking about in upcoming Writer Resources posts on Patreon, so if you’re planning a novel-length or series project and are cultivating ideas for tackling it, consider joining my Patreon at the $2 level to gain access to those posts and downloads of the tools I created for this process.)

The month hasn’t been all organization, though, because in addition to outlining and looking at project scopes, I also took the first steps toward the goal of writing 250,000 words this year. That word count is almost 20,000 words north of what I wrote last year, but when I listed all my projects and the probable word counts, it actually seems doable. Setting year-long writing goals can be a struggle in a normal year, but after the chaos of 2020, I think I’m ready to set a few:

  1. Write 250,000 words over the year.
  2. At least once a week write 1,000+ words in one day.
  3. Complete whatever monthly projects I set. (A little vague here since projects will change month to month, but I want to emphasis completing projects this year rather than just making progress on them.)
  4. And of course, write at least 250 words every day.

What writing goals are you setting for 2021?

 

 

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October is NaNo-prep for many people. The last few years I’ve been working on the same novel, so prep usually consisted of me spending the month re-reading what I’d already written, taking notes on what was missing, and tweaking the outline. But this year that novel gets a break and I’m using NaNoWriMo for a major rebellion.

The main project I’m working on is drafting three to four sample chapters of a nonfiction book on writing communities. The outline was mostly complete before October, but I spent a little time cleaning up and refining the outline and confirming exactly which chapters I wanted to write during November. (I’m actually really excited about five chapters, so I might draft all five just to get them out of my head.)

A handful of chapters won’t get me to the NaNoWriMo 50K (also I’m in a challenge to write at least 100 words of SFF every day this year), so I needed to figure out what else I could write during the month to hit that final word count.

I’ve been playing with short stories on and off this year, and decided at least one thing I could do was put ends to some of the beginnings I have. I went through my collection of WIPs and picked which ones I wanted to work on during the month. I jotted some thoughts about where these stories were going and how many words it would take to get me there. In the end, I picked seven short stories, which should net me around 20,000 words.

(I also picked a handful of prompts from The Short Story Starter so if I feel inspired to start something new, I have a place to start from.)

Lastly, I have a blog project I’ve been wanting to draft in one fell swoop, which should be somewhere around 10,000 words. If I’m short on the 50K word count, or if I stall out on one of these projects, I’ll start writing character sketches and scenes to help me understand the world and characters of the next novel I’m planning to write. Will this material make it to a novel? No way! Except in the iceberg sense of novel writing, wherein I know 90% more than what I’m showing the reader, but it’s work I need to do in order to understand the characters and how they interact in their world. (Also it’s words for NaNoWriMo!)

So that’s my NaNo Plan-o. A little more complicated than in previous years, but extremely flexible in terms of what I’ll be working on day to day and how I’m actually breaking down my 50K words.

Are you writing for NaNoWriMo? What are you writing?

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Ever wonder what it takes to be an every day writer? It’s this: planning, determination, and prioritizing writing.

My friends and I decided it was high time we visit the Magic Kingdom for an epic 12-hour theme park day. I write every day and while I want to prioritize having fun with my friends and enjoying the happiest place on Earth, I don’t want to do that at the expense of my 1,200-day writing streak.

I came to Disney prepared to make sure I got my words in while having a rollicking good time. That meant: fully charging my battery, fully charging my back up battery, shifting an in-progress story to GoogleDocs and making it available offline, and brainstorming what happens in the scene I was planning to write.

Finding the time to write while we were in the park was a balance between knowing we’d have long wait times for ride queues and not being rude to my friends. I waited until the conversation lulled, or when everyone else seemed equally distracted (or exhausted) before pulling out my phone to write. Because I had thought about the scene beforehand, it was easier to turn a handful of disjointed minutes into productive writing time. In the end I wrote 387 words while at Disney, which is not a staggering amount—I didn’t even finish writing the scene—but my writing streak is in tact and I like some of the ideas that presented themselves in that land of distraction. (Also I will always think it’s funny to write on theme park rides.)

Many thanks to Lara Eckener for being my in-line and on-ride photographer.

 

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The day after NaNoWriMo 2017 I saw a conversation from someone saying they haven’t been able to win since the November they were unemployed. I also saw confessions from people who gave up or from people who never started. Being a Municipal Liaison, it’s easy to forget that NaNoWriMo isn’t for everyone, that—in fact—writing 50,000 words in a month with everyone watching might be unhealthy for some people.

So before you sign up for NaNoWriMo 2018, consider these ways in which NaNoWriMo works for me, but may not work for you.

I’m a Plantser

Plantsing is the combination of planning and “pantsing” (writing by the seat of your pants). While I normally write with a planned structure and outline, I’m flexible enough in my plans to let inspiration take me off course.

This combo can save me if I get stuck in my outline or am having difficulty with a character or a scene. Because I have a plan, I can skip ahead and write a later scene that isn’t giving me trouble. Conversely, because I’m flexible, I can get “distracted” by an interesting minor character, or wind up inventing a new subplot because of something I discovered about the characters. Since I have flexibility, I don’t feel restrained by my outline, and since I have a plan, I’m not a slave to the muse. I can write forward by either following my plan or by following my inspiration. The ability to shift back and forth between those writing methodologies helps keep me writing throughout the month.

I Hate Writing First Drafts

I really hate writing first drafts. There’s a reason I’m an editor, and it’s because I like improving content that’s already written. Revising makes sense to me because it’s like untangling a ball of yarn. But writing a first draft is making the knot, and I’ve always liked creating order rather than chaos.

NaNoWriMo forces me to write the first draft as quickly as possible, and it forces me to keep working on the draft. While I could potentially spend November rewriting the same scene multiple times until it’s perfect, it’s difficult to hit 1,667 words a day if you’re only tweaking text. NaNoWriMo is full steam ahead on the first draft, which is a gift for me because otherwise I will relentlessly avoid writing a first draft. (Case in point: I’ve been working on the same first draft the past three NaNos because, without a deadline, I struggle with forcing myself to write it at other times of the year.)

I Can Write 1K in 30 Minutes

When I’m on my game, I can write 1,000 words in about thirty minutes. It’s a valuable skill for NaNoWriMo, to be sure. It means I can hit the pace-goal of 1,667 words in less than an hour. Since I don’t write at that pace year-round, I have to work to get myself back into that kind of writing shape (I typically start November around 700 words in thirty minutes), but once I’m into the stride of things, it’s something I can rely on to make NaNo easier. Spending less time physically writing means I’m more likely to fit writing 1,667 words into my day every day.

Healthy Competition Keeps Me Motivated

A little healthy competition keeps me writing. Most days I’m just competing with myself and the pace bar in the word count graph, but sometimes my co-ML and I pit our word counts against each other. Nothing got me writing more than when Brad was going to beat me! We kept all our battles lighthearted, which is the key to competition being a positive motivator.

I’ve had plenty of NaNos in which I knew I wouldn’t meet the 50K, so I used the month to write as much as I could without adding on the pressure of “winning,” But every time I’ve set out to win NaNoWriMo, I’m one of those writers who will kill myself to win. I find deadlines invigorating. They’re stressful and tiring, too, but pushing myself electrifies me and helps me actually finish. I thrive on that, and it’s a big reason why NaNoWriMo works for me.

 

Those are some aspects of my writing life that make NaNoWriMo a good match for me, but since all writers are different, it’s easy to see that the 30-day deadline or the suggested pace count or the feeling of falling behind could easily stress out or intimidate another writer. It’s sometimes hard to say no to NaNo, especially if it seems like all your friends are signing up, but if you know the challenge doesn’t work for you, keep this in mind: writing is hard enough without the added stress. Keep writing and keep working on a process that works for you.

Journals are pretty much the bane of my existence. There are so many beautiful ones out there. Ones with leather bindings, magnetic closures, fancy mechanical closures, embossing, foil embellishment, pages to track your reading, questions to help you write—THERE ARE SO MANY. But no matter how enticing they are, no matter how much I want to run my hands over their beautiful bindings and ingenious closures I have to stop myself because I don’t write in journals.

I have a desk drawer that is full of empty journals. Some of them I purchased, but the majority of them were given to me over the years by well meaning people who decided that the present you should buy a writer is a journal. I get where these people are coming from—after all, I have purchased an amazing number of journals on my own—but not all writers use journals and I am definitely a writer who doesn’t use journals. I like working on outlines by hand, and I love the idea of story bibles, but I can’t translate either of those things into writing in journals.

To me, a journal with a cover sets the theme of the content inside. That means a journal with say, Anakin Skywalker on the cover, should be used for Star Wars fanfiction, or at least something fandom-y, or Star Wars-y. A journal with frogs on the cover might be more generic, but I’m not going to use it to plan a sci-fi time travel story or start drafting my next steampunk adventure. So, if a journal I own doesn’t match a project I want to write, I feel like it’s the “wrong” journal to use. Thus, it sits in the drawer, waiting for the right project.

So when the right project comes along, I immediately go for that journal, right? Wrong. What if I “mess up” the journal? What if when you open that beautiful journal with the leather bindings and the mechanical clasp all you find inside is scratched out names and wrong details about characters or outlines of a book I abandoned? What if I wait until I’ve done the dirty work and start transcribing it into a journal to make a story bible, but change my mind while I’m writing? How will I live with myself knowing I ruined that book!? Thus, it still sits in a drawer, waiting for me to finish the novel and then write the story bible after the fact. (I’ve never done this, but it’s the only thing I can think of that would satisfy my perfectionist fears.)

It’s easier for me to admit that I don’t write in journals. I’ve tried a few times to force myself past my neuroses—and I do actually keep a bullet journal that is far messier than I would like—but using journals for fiction isn’t something I’ve been able to do. I finally started giving away my collection of empty journals, and I’ve repurposed a few, using one to keep track of editorial work and another to jot questions for phone interviews, but ultimately I don’t write in journals. So please, when you’re thinking about giving your writer a gift, ask yourself if a journal is really the right thing.