Tag Archive for: nanorlando

I’ve been struggling to figure out what to write about for this post. For this month, my writing life has been mostly routine. Words are being produced, progress is being made, but there’s not really anything for me to talk about. (Correction: actually, there is a project I would love to gush about, but it’s not ready for any announcements yet. Soon. Hopefully.)

When life is settled in the status quo, it’s harder to find something new for an update.

Photo by Todd Trapani on Unsplash

Update: Things are progressing as they should be.

Update: I revised an outline.

Update: I was distracted by something else, but that’s not unusual.

Update: I wrote in my armchair today. Again. As I have been for the last several months.

When my writing life is chugging along as normal, without anything outstanding pulling me forward and nothing terrible weighing me down, I find it harder to talk about my writing. And while it can be pleasant for my writing life to be consistent and unremarkable, the unglamorous, non-newsworthy bits of writing are also frustrating because it’s easy to feel stagnant when every day requires the same input and results in the same output.

So, with this largely non-update, let me include a few things I can talk about that are up-and-coming.

NaNoWriMo 101 Workshop
Oct 19, 7–8pm

NaNoWriMo 2021 is around the corner, and as part of my duties as a Municipal Liaison, I’ll be teaching a NaNoWriMo 101 Workshop on Facebook and YouTube to bring NaNo newbies up to speed and let people know what to expect from the Orlando region this November.

Write a Novel in a Month Conference
Oct 23-24, 1–5pm both days

I’ve also once again organized a writers’ conference for NaNoWriMo prep in conjunction with the Orange County Library. Join us for 2 days of writing workshops focused on writing a novel in a month. The line-up includes fantastic instructors like Karen Osborne, Premee Mohamed, Michael Mammay, Jennie Jarvis, Elle E. Ire, José Pablo Iriarte, Leslie Salas, and Arielle Haughee, along with my writing partner-in-crime KL!, who will be co-teaching a workshop with me called “Transforming an Idea into a Story.”

For both events, listing an Orange County Library card is optional, so if either sounds like something you’d like to attend, feel free to click the link and register! (A full schedule for the conference is available at the link.)

 

You can also catch me in a few upcoming episodes of The 42cast talking about fan conventions, Black Widow, and Loki.

And then hopefully next month (or before) I’ll be able to talk about the thing that actually had my attention most of this month.

 

 

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Any way I slice it, November is NaNoWriMo. This year I elected to save myself a little frustration, aggravation, and sanity, and decided to not write 50,000 words. 2020 has been enough of a mess without struggling to slap words on a page while feeling the stress of an arbitrary deadline (plus needing to fulfill my duties as a NaNoWriMo Municipal Liaison for Orlando, FL). Ultimately, I think this was the right decision, and it freed me up to enjoy more of the events I organized during the month. And the one I want to talk about is the biggest event I worked on: Write Around (Virtual) Disney World.

We’ve been running an in-person Write Around Disney World since 2013. We meet in a central location on Disney property and then use free Disney transportation to travel (by all means available) to various non-ticketed locations to write. Our path typically takes us to hotel lobbies and cafeterias, where tourists wonder why there are suddenly so many people sitting around with laptops and furrowed brows.

When the pandemic looked like it would keep our region at home this year, I began planning how to turn our biggest writing event into a virtual experience.

With the help of my friend, KL Cripe, we created a virtual traveling write-in hosted on three of our NaNOrlando social media platforms—Discord, Twitter, and Facebook. Since a virtual experience removed the need for a Disney ticket, we also took the opportunity to move our writing stops inside the Disney parks, visiting three inspiring locations in Animal Kingdom, Hollywood Studios (yes, we picked Galaxy’s Edge), and Magic Kingdom.

Each location included a welcome, description of the location, how the location could inspire a writer, and time in which to write. We posted pictures from previous years (or from independent visits, in the case of our special in-park locations) and links to ambience sounds or music to help writers feel like they were actually there. We also included transportation between each stop because traveling by boat, bus, and monorail is just part of the appeal of Write Around Disney World.

In the past we’ve escorted up to 70 writers at our in-person write-in, which was about the same turn out for our virtual event. And not everyone was from Orlando. We had writers joining us from California, Arizona, Wisconsin, Georgia, Virginia, Ohio, Vermont, and even Canada! I’m so glad we were able to successfully execute this event virtually. Every year we have writers who can’t join us, often because of transportation or mobility issues, and I’m excited to prove that we can bring this unique writing experience to everyone, despite the limitations that exist in the real world.

2020 has been an absolute mess, but I feel like it’s been a year to teach us about accessibility and I hope more event organizers are learning the same lesson I am—with a little creativity, we can shift our events so that anyone is able to participate.

If you want to check out Write Around (Virtual) Disney World, I recommend visiting our Twitter threads, organized by location:

 

 

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October is always a busy month for me because it’s all about the NaNoWriMo Prep. As a Municipal Liaison for my local region, I spend less time prepping myself and my project, and more time prepping events and social media posts and coordinating with local writing groups. One of the biggest events I handle in October is the NaNOrlando Writers Conference.

This is the third year I’ve put on this conference with the help of the Orange County Library System and generous writers who have willingly let me bully them into donating their time and experience to teach wrimos about quick drafting, preparing their characters and world, and using conflict and inspiration to fuel their novel throughout the month. (I’m mostly kidding about the bullying. If you ask a writer to talk about writing, it’s harder to get them to stop talking.)

Since this year was a virtual event, I reached beyond our usual stable of local writers and drew in my friend Karen Osborne (whose awesome science fiction novel debuted in August) and Pitch Wars mentors Sofiya Pasternack and Emily Colin. I loved getting to have a few new ideas about writing conflict and approaching world building, and Emily tackled a topic on inspiration that has been on my wish list for a while. Joining our distanced instructors were Jenny Broom (Developing Your Main Character), Elle E. Ire & José Iriarte (Finishing Your First Draft), and Jennie Jarvis (Basic Plot Structures). With these six workshops we covered pretty much every basic element of storytelling and every trick to help writers get through a 50,000-word draft of a novel in a month.

I took a lot of notes throughout the conference, tweeting some of the best quotes and advice to our NaNOrlando Twitter account (some of which also appeared on our Facebook and Instagram), but I figure the best way for me to talk about the conference is to leave you with some of my favorite quotes. So, here’s what I learned or was reminded of during the 2020 NaNOrlando Writers Conference:

  • Considering why was a recurring theme in developing worlds and characters.
    Sofiya suggested that every time we answer a question about the world, ask
    why to learn more about the underlying structure of the world.
    Jenny also reminded us that the
    why of a character’s choices says a lot about the character.

  • Karen compared story conflict to a three-lane highway, with the story-car weaving in and out of these lanes to switch between conflict with the self, conflict with others, and conflict with the environment. Considering that I always think of story threads as braiding, this description really appealed to me.

  • I’ve heard José and Elle talk about writer XP in other presentations, but I always love this quote from them, “You don’t get those points until you finish writing the book.” I think about this every time I leave a story half-finished, or when an outline stops without an ending. I have to keep going if I want to level up!

  • Emily reminded us to revisit what first excited us about our projects when we feel blocked or bored. José also noted that when he feels blocked, it means his subconscious knows what he planned doesn’t make sense. Both thoughts made me feel better about going back to planning in the middle of drafting—sometimes you have to go backward to go forward.
“Aristotle believed that the whole reason we engage in stories to begin with is because we’re able to experience something vicariously that we can’t experience in our own life.” — Jennie Jarvis
“We write to get into a story, so even if you don’t use it, it helped you get into the story.” — Jenny Broom
“Nano is a hot mess while it’s happening, but you get words on the page and you can turn it into awesome stuff.” — Sofiya Pasternack
“The things that make you feel bad about sitting down to write are the killers. Forgive yourself for what you did not do yesterday. Every day is a clean slate.” — José Iriarte

 

 

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November means National Novel Writing Month. Instead of talking about word counts or impressive sprints and slogs to writing 50,000 words, I want to share a little about the various activities I participated in during the month because even though I was sick and homebound for a week, it was still a lot.

Weekly Write-Ins
My writing group once again opened its doors to welcome NaNOrlando writers to join us for our weekly write-in. The Central Florida Inklings is currently at capacity, but we figure for one month out of the year we can uncomfortably cram a few extra laptops at a table or spread out to fully take over our usual Starbucks. Every year a few extra writers join us, and we love having them for the month—it’s good to meet new people.

Hogsmeade Write-In
Early in the month, I lead a write-in at one of my favorite places to write: the Wizarding World of Harry Potter. Five other writers joined me behind The Three Broomsticks to write some truly magical words and reap some butterbeer-flavored rewards. It was a completely gorgeous (and mercifully cooler) day in which we each wrote about 2,000 words. One family incredulously asked us, “You pay to come into the parks to stare at your computers?” Sometimes the benefits of an annual pass (or Universal employment) are difficult to explain to others.

Write Around Disney World
Right in the center of the month was the pièce de résistance concerning the NaNOrlando events. On November 16, I and the other Orlando region MLs lead 40+ writers around Disney property on boats, buses, and monorails to resort lobbies and cafeterias to write as many words as we could on this traveling write-in. 

This event is my favorite every year because it’s so unusual, so fun, and so big.

Descending on and taking over the lobbies at the Polynesian and Grand Floridian makes me happy. I love threading between tourists and seeing so many writers on their laptops, focus firmly attached to their novels. It’s also a great opportunity to say hello to writers I only hang out with once a year and also to meet new friendly faces. This year we even had someone come down from Atlanta just for the event!

Brad Shreffler and I have been working together to build the NaNOrlando region for the last four years, and while Write Around Disney World is a tradition on its own, Brad and I have another tradition that we partook in this year: our annual picture writing at the kids table. When NaNoWriMo tells you that you can write anywhere, they mean it.

Even though I was sick for a week, out of town for a few days, and had relatives visiting, I still managed to get to ten write-ins. Which is more than I would have thought given that crammed schedule. But my commitment to attending write-ins during November is a testament to how much I believe writing with people increases my productivity and fulfills an important need in my writing life. Writing is all too often a solitary endeavor, and I believe it’s important to connect to a community and remember that through all the private, quiet struggles I might be having with my word count, revisions, or confidence, I’m not alone.

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You might think The Write Life is up a little later this month because of the absolute insanity that was my life in September (revisions, editing projects, falls, and escaped cats, oh my!), but it was really so I could wait and post about the NaNOrlando Writers Conference.

In 2017, I hoofed it to the Orlando Public Library each week for a weekly NaNoWriMo prep session. The sessions were great, the participants beautiful, but the turnout was relatively low and the time and stress on me was intense. And then I thought, there must be a better way.

Last year I reimagined our weekly workshop series into a half-day writing conference. This year we grew that conference to include twelve local authors, editors, and professors to prepare writers for National Novel Writing Month. Our panels included strategies for finishing a first draft, developing characters and their arcs, basic plot structures, worldbuilding and more. We offered nine workshops in total, spread across three meeting rooms, and afterwards offered one-on-one sessions for about twenty writers.

Aside from making sure everything ran smoothly, I was responsible for speaking at NaNoWriMo 101 as one of the region’s three Municipal Liaisons, and moderating the panel Rebels: Not Writing a Novel, for anyone, y’know, not writing a novel for NaNo. (Which this year I am not writing a novel—ask me about my other projects!)

We had sixty-three NaNOrlando writers come out to participate, asking great questions and confidently sharing their story ideas and problems. NaNaWriMo is a huge undertaking, and even the Orlando region is pretty large, so I love getting to connect more personally to local authors, help them through a problem, and generally support them in completing their novel. Having such a great turnout for this event makes me feel particularly good about the time I spend investing in my writing community. ❤️

I want to take a moment to publicly thank all the instructors and OCLS staff who helped make the NaNOrlando Writing Conference happen—

Sarah Fisk from OCLS
Racquel Henry, L.E. Perez, and Arielle Haughee from Writer’s Atelier
Elle E. Ire & José Iriarte
Ella Martin
Jenny Broom
Catherine Carson
Jennie Jarvis
And of course my co-MLs, Brad Shreffler and Nicole Dennis

Many thanks to Aly for letting me use one of her photos after I completely forgot to take any.

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