Tag Archive for: drafting

Unsurprisingly, I spent the majority of my writing time and thoughts in October looking ahead to National Novel Writing Month. As a municipal liaison (that’s one of the volunteers responsible for creating events at the local level), my focus tends to be on others, rather than on myself. I spend my time scrounging up volunteers, scheduling write-ins and other motivational content for the month, promoting our events and NaNoWriMo as a whole, and encouraging everyone to prep their novels so they can put their best foot forward on November 1st!

But that doesn’t leave a lot of time for my own preparations.

Those responsibilities are collectively one reason I tend to take the rebel route during NaNoWriMo and rarely work on a single project, and never work on a new project. All the projects I tackle during the month of November tend to be an already in-progress novel or a collection of smaller works.

This year I’ll be spending time drafting new scenes and revising old ones in Gay Airship Pirates, continuing to draft a course I’m teaching in February on punk subgenres (links for that as soon as they’re live!), and bouncing around between fanfic, blog posts, and whatever other topics happen to catch my heart strings.

I have been having a lot of difficulty clearing the mental clutter of late, so I’m also going to be working on a semi-daily project where I take a prompt and write for 15 minutes. The prompts I’ll be using will be gathered from a range of places, including some resources I’ve mentioned in Writer Resources posts on Patreon (and a few I will be sharing soon). I’m hoping that engaging creativity in a multitude of ways will keep the prompting fresh and shake loose any mental blocks I’m having around creativity so that when I hit my designated noveling time, I’ll be ready to get to work.

What do you do to get yourself ready to write? Do you have any tips you want to share for anyone tackling NaNoWriMo this year?

 

 

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The day after NaNoWriMo 2017 I saw a conversation from someone saying they haven’t been able to win since the November they were unemployed. I also saw confessions from people who gave up or from people who never started. Being a Municipal Liaison, it’s easy to forget that NaNoWriMo isn’t for everyone, that—in fact—writing 50,000 words in a month with everyone watching might be unhealthy for some people.

So before you sign up for NaNoWriMo 2018, consider these ways in which NaNoWriMo works for me, but may not work for you.

I’m a Plantser

Plantsing is the combination of planning and “pantsing” (writing by the seat of your pants). While I normally write with a planned structure and outline, I’m flexible enough in my plans to let inspiration take me off course.

This combo can save me if I get stuck in my outline or am having difficulty with a character or a scene. Because I have a plan, I can skip ahead and write a later scene that isn’t giving me trouble. Conversely, because I’m flexible, I can get “distracted” by an interesting minor character, or wind up inventing a new subplot because of something I discovered about the characters. Since I have flexibility, I don’t feel restrained by my outline, and since I have a plan, I’m not a slave to the muse. I can write forward by either following my plan or by following my inspiration. The ability to shift back and forth between those writing methodologies helps keep me writing throughout the month.

I Hate Writing First Drafts

I really hate writing first drafts. There’s a reason I’m an editor, and it’s because I like improving content that’s already written. Revising makes sense to me because it’s like untangling a ball of yarn. But writing a first draft is making the knot, and I’ve always liked creating order rather than chaos.

NaNoWriMo forces me to write the first draft as quickly as possible, and it forces me to keep working on the draft. While I could potentially spend November rewriting the same scene multiple times until it’s perfect, it’s difficult to hit 1,667 words a day if you’re only tweaking text. NaNoWriMo is full steam ahead on the first draft, which is a gift for me because otherwise I will relentlessly avoid writing a first draft. (Case in point: I’ve been working on the same first draft the past three NaNos because, without a deadline, I struggle with forcing myself to write it at other times of the year.)

I Can Write 1K in 30 Minutes

When I’m on my game, I can write 1,000 words in about thirty minutes. It’s a valuable skill for NaNoWriMo, to be sure. It means I can hit the pace-goal of 1,667 words in less than an hour. Since I don’t write at that pace year-round, I have to work to get myself back into that kind of writing shape (I typically start November around 700 words in thirty minutes), but once I’m into the stride of things, it’s something I can rely on to make NaNo easier. Spending less time physically writing means I’m more likely to fit writing 1,667 words into my day every day.

Healthy Competition Keeps Me Motivated

A little healthy competition keeps me writing. Most days I’m just competing with myself and the pace bar in the word count graph, but sometimes my co-ML and I pit our word counts against each other. Nothing got me writing more than when Brad was going to beat me! We kept all our battles lighthearted, which is the key to competition being a positive motivator.

I’ve had plenty of NaNos in which I knew I wouldn’t meet the 50K, so I used the month to write as much as I could without adding on the pressure of “winning,” But every time I’ve set out to win NaNoWriMo, I’m one of those writers who will kill myself to win. I find deadlines invigorating. They’re stressful and tiring, too, but pushing myself electrifies me and helps me actually finish. I thrive on that, and it’s a big reason why NaNoWriMo works for me.

 

Those are some aspects of my writing life that make NaNoWriMo a good match for me, but since all writers are different, it’s easy to see that the 30-day deadline or the suggested pace count or the feeling of falling behind could easily stress out or intimidate another writer. It’s sometimes hard to say no to NaNo, especially if it seems like all your friends are signing up, but if you know the challenge doesn’t work for you, keep this in mind: writing is hard enough without the added stress. Keep writing and keep working on a process that works for you.

Sometimes one of the hardest things to do is to keep writing through your first draft. Ideas can feel flat and uninspired. Characters might not meet the expectations you set out for them. Obstacles wind up being easier to overcome than you imagined, or, the opposite, you find yourself written into a corner. It is frustrating and infuriating and quitting starts looking better and better because, let’s face it, your first draft sucks.

But the good news is that all first drafts suck. No matter how much planning you do in advance, there’s a big difference between an idea and a story. A story requires details and specifics and everything has to work together. Sentences have to be crafted, motivations have to be honed, choices have to be made, and consequences have to be realized. Moving from an idea to a final product takes a lot of work, and the first draft is the first step. And the first draft is always a messy step.

First drafts don’t just suck because they are the messy beginnings of a novel. They suck because they’re difficult to write and they’re difficult to stick with. But the reason you must keep writing through a terrible first draft is simple: blank pages can’t be revised. In order to make the book better, something needs to be on the page. Revising is like sculpting, and the first draft is how you make the clay.

Sculptures can’t be made without material to sculpt, and the same works for stories. The first draft has to be written so the writer has something to revise and craft into the finished work. It may be tempting to stop in the middle and start revising, but not finishing your first draft is a disservice to your story and sometimes a waste of your time. Even the most organized planners can discover things about their characters, plot, and world through writing the first draft. Ideas develop organically—it becomes clear that the character should turn left instead of right, a sub-plot more fully develops, one idea spawns another and a new area of the world is fleshed out. You might discover that a scene you wrote well and loved doesn’t belong in your novel any more—and if you spent your time honing it instead of writing to the end of your first draft, you would have wasted that time.

So push through your first draft. Even when it sucks, try your best to love the experience and motivate yourself to continue. Reward yourself for writing. Tell your friends what you’ve completed. Write the scenes that excite you. Write out of order. Leave gaping holes that just have notes like “battle scene” or “much smooching” or “Kate and Joe need to talk.” Leave notes to yourself about ideas you get as you’re drafting or revisions you want to make, but keep writing forward. You’ll have a mess by the end. You’ll have a draft that sucks, but you’ll have a draft that you can craft, make better, and sculpt into the story you were always meant to write. As much as writing is about revising, revising can’t happen if you don’t have a first draft.