Tag Archive for: writing:process

The Write Life: Novel Writing Return!

If you’ve been following along for the past year, you already know I’ve been taking a long break from novel writing to take care of my parents. With the major illnesses under control, and adjustments and new routines established, I can finally inch back into novel writing. This means refamiliarizing myself with plans, getting back into the characters’ voices, and figuring out what’s been percolating in my head while I’ve been away. In short, it’s a novel writing return!

I know I’m not the only one who’s been in this situation—coming back to a novel after a long (sometimes years long) break—so I wanted to share what I did this month to reconnect with my novel.

Take Stock Before Writing

The first step is all about taking stock and figuring out where you left off. For this novel, it included reading over the outline and making notes where the plot seemed a little draggy. (Turns out in the two years away, the outline did not magically fix itself.)

I have many different parts of this story drafted, but since I’m working from a new outline, I decided to not bother rereading any drafts. I will be incorporating things from previous drafts, but I think I’d prefer to revisit those as I get to each scene since my outline is so detailed.

I also discovered I created a writing schedule, which will help with the next step….

Update the Novel Plan

Updating the novel plan starts with updating the outline. I only had a few notes to address in the opening chapters, but they required shifting scenes and chapter breaks, which also created a need to update the story map. (The story map is a document that tells me who is in each scene, where it takes place, and which plot threads it involves.)

The novel plan also includes plans for how to write the novel, specifically what my writing schedule will be. The schedule I previously devised had me writing 3–4 scenes per week, and while I aspire to that level of productivity, it’s just not realistic with my other obligations.

Instead, I looked at the estimated word count of each scene and then doubled that number (because I know the chaotic, word-heavy way I draft). Keeping a realistic goal in mind, I decided I am unlikely to write more than 4,000 words per week, so that base schedule has me writing 1–2 scenes per week.

Renewing Voice

Reconnecting to a novel includes reconnecting to the characters. Because it’s been a hot minute since I wrote anything substantial for these characters, I wanted to reacclimate myself to their voices. I picked a few moments and various character combinations to write about and went at it!

Making my novel writing return by starting with some odd moments let me approach the writing at a slower pace while I was still finishing plan adaptations. It also meant I could test some of my plans to see how much I can actually write on a busy day with my new routines and schedules.

Novel Writing Return!

The hardest part of the return is to stop dawdling and get writing. That means officially writing a scene that will—gulp—go into the novel.

So that’s for next month! 😅

(Seriously, updating the outline and story map took longer than I originally thought it would—but no regrets about that time spent! For me, the planning stage is important to keeping my brain on track and untangled as I draft. Other writers struggle with the planning and revision; my writing struggle is drafting.)

I am coincidentally starting my draft in November, though not doing NaNoWriMo. Anyone else setting ambitious writing goals outside of a challenge structure?

 

 

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Writing on Days When You Feel Drained

If you feel drained of ideas and motivation, that could be a sign that you need to take a writing break and let yourself entirely off the hook. Spend the day reading a book, catching up on TV, or actually, you know, interacting with people. I find that having conversations with other writers and creators is often the best way to find inspiration again.

But let’s assume for a moment that you can’t take a break and you have to write no matter what (ahem, like when you’re in the middle of NaNoWriMo). What do you do on those days when you have to force yourself to write?

Maintaining a Streak

If you’re writing to maintain a streak and it doesn’t matter what you write, so long as you write, it may be a day to shelve the current work in progress and try something new.

Shift over to your ideas notebook, grab a random prompt from the internet (there are a jillion, so if you don’t have a favorite site bookmarked, Google “creative writing prompts” or “writing prompt generator”), or ask your friends if there’s a story they’d like to be told. I’ve written some fun one-offs about my original characters inspired by things my friends prompted me or scenes they wish they’d read.

If you’re still struggling to get any words on the page, or are generally finding yourself uninspired, it’s time for some free writing. This free writing could eventually evolve into a blog post or story, but it might just be an activity to get you writing again.

Start with a question about what’s bugging you. This could be anything from, “Why am I so tired today?” to “How am I so uninspired?” Once you have that question nailed down, twist it into a question you can analyze and/or give advice about. “Why am I so tired today?” might become “How can you write when you’re tired?” or “What’s the greatest obstacle between a writer and a nap?” or “Why is sleep so important to the creative process?” Once you have a question, and one that is built on a topic that’s currently bugging you, you have something to write about. And turning it into a question that you can either analyze or give advice about lets you turn free writing about your problems into a positive exercise. Too often free writing about problems can turn into negative thoughts and self-immolation, but turning it into a question to be answered lets you think about the same topic in a completely different way and hopefully can inspire you to help yourself!

Writing to a Deadline

If you’re writing for a deadline and you must work on a specific piece, the real problem is that you have to find inspiration in a specific work, so jumping to other pieces isn’t always an option.

But it’s still where I would start.

When feeling totally uninspired on one story, I start by writing on something else. If you have another project in progress, spending some time on that might reinvigorate your motivation for the deadline project. If no other project is available, you can take any of the suggestions above and apply them here—prompts, free writing with a question, etc.

No matter what you’re writing, set a timer to limit how much time you spend working on other activities or projects. I recommend 10–15 minutes for warm-up writing before trying to get back to the project you’re supposed to be working on.

Or, instead of writing something different, you can use prompts that allow you to work with the same characters or the same world, essentially approaching your deadline project from the side instead of head-on. Try posing what-if situations for your characters, alternate scenes/endings, or writing something from the perspective of someone else in your world.

You can use a similar strategy as the suggested free writing activity by answering a question related to the thing you’re stuck on—”How can my character get out of this situation?” or “Who should my character partner with for this mission?” or “How does the world’s society/laws limit my character?” Using the free writing format as an opportunity to organize your thoughts can help you work through the problem in a different way than just thinking about it. (This is why so often solutions might come when we’re talking to someone else, rather than when we’re just thinking to ourselves. Different ways of communication allow us to organize our thoughts differently, so if you don’t have a friend on hand, have a conversation with a blank page!)

If you absolutely must be working on your deadline-driven project and don’t have time for warm-up activities, try reading the last 1-2 pages you’ve written and allow yourself to revise and edit them. One of the best ways for me to get back into a story is by working to flesh out the last thing I wrote. If the last thing I wrote is literally what stumped me—and I had difficulty figuring out where the story goes next—I rewrite from where the story started to derail. Sometimes I might keep all the action and description, but change the dialogue. Sometimes I might move the setting. Sometimes I might scrap the entire idea, or even shift who is in the scene and take the whole thing in a completely different direction! It may not feel like you’re getting anywhere (especially if you end up trashing that version and starting again), but what you’re doing is eliminating the ideas that aren’t working and helping find the idea that does work.

 

No matter what’s going on with you creatively, there are ways to dig deep on those days when you’re feeling drained. And the more often you practice digging deep, the easier it can get. I still sometimes hit days when I’m totally worn out and need a break, and on those days I write my minimum word count using one of the strategies above and call it a day. But because I’ve put in so much effort, it’s easy for me to use one of those strategies and see success. So even if it’s hard now, know that putting in the hard work will help train you as a writer and eventually you’ll be able to sail past those inspiration-less days with no trouble.

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Why NaNoWriMo Works for Me (And Might Not for You)

The day after NaNoWriMo 2017 I saw a conversation from someone saying they haven’t been able to win since the November they were unemployed. I also saw confessions from people who gave up or from people who never started. Being a Municipal Liaison, it’s easy to forget that NaNoWriMo isn’t for everyone, that—in fact—writing 50,000 words in a month with everyone watching might be unhealthy for some people.

So before you sign up for NaNoWriMo 2018, consider these ways in which NaNoWriMo works for me, but may not work for you.

I’m a Plantser

Plantsing is the combination of planning and “pantsing” (writing by the seat of your pants). While I normally write with a planned structure and outline, I’m flexible enough in my plans to let inspiration take me off course.

This combo can save me if I get stuck in my outline or am having difficulty with a character or a scene. Because I have a plan, I can skip ahead and write a later scene that isn’t giving me trouble. Conversely, because I’m flexible, I can get “distracted” by an interesting minor character, or wind up inventing a new subplot because of something I discovered about the characters. Since I have flexibility, I don’t feel restrained by my outline, and since I have a plan, I’m not a slave to the muse. I can write forward by either following my plan or by following my inspiration. The ability to shift back and forth between those writing methodologies helps keep me writing throughout the month.

I Hate Writing First Drafts

I really hate writing first drafts. There’s a reason I’m an editor, and it’s because I like improving content that’s already written. Revising makes sense to me because it’s like untangling a ball of yarn. But writing a first draft is making the knot, and I’ve always liked creating order rather than chaos.

NaNoWriMo forces me to write the first draft as quickly as possible, and it forces me to keep working on the draft. While I could potentially spend November rewriting the same scene multiple times until it’s perfect, it’s difficult to hit 1,667 words a day if you’re only tweaking text. NaNoWriMo is full steam ahead on the first draft, which is a gift for me because otherwise I will relentlessly avoid writing a first draft. (Case in point: I’ve been working on the same first draft the past three NaNos because, without a deadline, I struggle with forcing myself to write it at other times of the year.)

I Can Write 1K in 30 Minutes

When I’m on my game, I can write 1,000 words in about thirty minutes. It’s a valuable skill for NaNoWriMo, to be sure. It means I can hit the pace-goal of 1,667 words in less than an hour. Since I don’t write at that pace year-round, I have to work to get myself back into that kind of writing shape (I typically start November around 700 words in thirty minutes), but once I’m into the stride of things, it’s something I can rely on to make NaNo easier. Spending less time physically writing means I’m more likely to fit writing 1,667 words into my day every day.

Healthy Competition Keeps Me Motivated

A little healthy competition keeps me writing. Most days I’m just competing with myself and the pace bar in the word count graph, but sometimes my co-ML and I pit our word counts against each other. Nothing got me writing more than when Brad was going to beat me! We kept all our battles lighthearted, which is the key to competition being a positive motivator.

I’ve had plenty of NaNos in which I knew I wouldn’t meet the 50K, so I used the month to write as much as I could without adding on the pressure of “winning,” But every time I’ve set out to win NaNoWriMo, I’m one of those writers who will kill myself to win. I find deadlines invigorating. They’re stressful and tiring, too, but pushing myself electrifies me and helps me actually finish. I thrive on that, and it’s a big reason why NaNoWriMo works for me.

 

Those are some aspects of my writing life that make NaNoWriMo a good match for me, but since all writers are different, it’s easy to see that the 30-day deadline or the suggested pace count or the feeling of falling behind could easily stress out or intimidate another writer. It’s sometimes hard to say no to NaNo, especially if it seems like all your friends are signing up, but if you know the challenge doesn’t work for you, keep this in mind: writing is hard enough without the added stress. Keep writing and keep working on a process that works for you.

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The Write Mindset

I recently received a great question* about how I center myself and clear my mind before writing. I think answering this question begins with establishing what “clearing your mind for writing” really means.

For some authors it might mean clearing away distractions to create focus. It might include selecting and molding their physical and mental environments to encourage concentration and creativity. For me it includes knowing what I’m going to write.

I never sit down in front of the computer with a blank page and a blank mind. Today, for example, I came to my writing time with this question in mind, and I had already thought about some things I wanted to say on the subject and how I wanted to organize my response. Tomorrow I will come to my writing time with a draft of this blog post, which I will read before laying fingers on the keyboard. Another day I may seek out a prompt in advance, explore a line of dialogue, or continue a scene on an in-progress story.

All of that thinking and planning and deciding is done before I sit down to write. I do that mental work while I’m in the shower, or eating breakfast, or going to sleep the night before. Basically, I think about writing in my spare minutes, so that when I physically sit down for a ten-minute sprint, I’m ready. This means I spend more of my writing time actually writing, and less of that time staring at a blinking cursor and figuring out what I should be doing.

I still have days when I haven’t adequately planned and I wind up opening and closing several documents, trying to figure out what to work on. Those days of uncertainty and indecision underscore for me how important it is to plan. If I find myself doing that, I stop, get up, and work on something different so I can plan before coming back to the page. (Folding laundry, flossing, and taking a walk are all excellent activities to busy my body while my mind works.)

Planning what I’m going to write doesn’t have to be involved or include outlines, notes, or a chart. The real “plan” comes from eliminating uncertainty. When I come to the page with something in my mind, I can start writing right away and am never stymied by indecision while sitting in front of the keyboard.

Do you have a different strategy for clearing your mind to write? Do you meditate? Use free writing or journaling? What methods work best for you to get yourself into the writing mindset?

 

*This question is actually from a spam bot, but was coherent enough to be useful as inspiration, so you really never know what will inspire you!

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Hesitant to Finish

I am resistant to finishing things.

It sounds ridiculous typed out like that. I mean, the point of starting a project is to have a finish product. In this case, it’s to have a finished story, and having a finished story is an amazing feeling! But even though I know that, I have a lot of trouble motivating myself to finish one pass and move on to the next. For me that hesitation comes down to three anxious questions:

  • What next?
  • Will I have another good idea?
  • But is it really done?


What Next?

This is a question that isn’t just about what project will I work on next, but how will I structure that project? What will my days be like? What is the routine?

I like ruts. I love working in ruts because I know how much work I’ll get done each day, when I’ll start, and roughly what I’ll do while I work. It’s comfortable and consistent and I am super productive once I have a well-worn rut. But getting that rut going is difficult. Figuring out the best way to work on a project takes time and patience, and often means experimenting with new workflows—new ruts—until I find the right one for the project (or for that stage of the project). As a project winds down, so do I, dragging out the last few tasks in anticipation of having to carve a new rut.

I haven’t figured out how to battle this question. The simple solution seems to be to develop a rut for each stage of writing, but every book I’ve worked on has been different, so that means the process isn’t cookie-cutter. For some books I’ve followed a structured outline, and for others I wrote scenes out of order. Perhaps one day I’ll have enough experience with each kind of workflow to immediately know how I’ll attack it, but for now I have to find other methods to banish my worries about what happens next.


Will I Have Another Good Idea?

Well. Will I???

The idea that what I’m writing will be the last thing I ever write is one of the most ridiculous anxious thoughts I could have, but it doesn’t stop me from thinking it nearly every time I near the end of a project. Obviously I’m going to write something else. Even through periods when I wasn’t as creative or productive, I never stopped getting ideas for stories. But this is anxiety talking and anxiety doesn’t have a firm grip on reality, so it throws out fearful doubts like this.

There’s no real defense against an anxious thought, except to not entertain it. I’ve gotten better at ignoring this question over the years, but sometimes it still catches me off guard and slows down my progress, keeping me from crossing the finish line so I can linger in my “last” good idea.


But Is It Really Done?

Of all the anxious questions I have that disrupt my productivity, this is the one that I actually have to answer. Figuring out if a project is actually finished is key to, you know, finishing the project. The problem is when this idea turns from productive checking in with the story to obsessing over commas, prepositions, and if I should start swapping around scenes just to see what it looks like.

I typically use revision checklists to keep myself on track and to eventually identify a stopping point. Sometimes I need to add things to the list—maybe during copyediting I uncover another crutch phrase, so I want to double back to search for that phrase, or I might finally figure out how to condense two scenes—but mostly I stick to the list and when the list is done, I’m done. Having that list as a definitive end point helps stop me from obsessing because I have something tangible to point to that says the story is done.

 

Knowing my weaknesses and having strategies to overcome them certainly helps, but it doesn’t stop me from struggling with finishing projects. Hopefully with continued practice it will get easier as time goes on.

Are there any aspects of finishing writing projects that stymie you? How do you over come those obstacles?

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Making Sense of First Draft Mess

This last week I dove back into the novel I worked on during National Novel Writing Month. While I had a successful NaNoWriMo in 2017, I also took a helter-skelter approach to putting words on the page. I jumped around in my outline when I ran out of steam. I allowed new, unplanned characters to appear and take my attention. I discovered solutions to plot problems and simply picked up the threads as if I had already written the scenes—or I wrote a divergent scene that covered those solutions, while still leaving the first scene in place (essentially writing an alternative universe, if you’re playing along from a sci-fi angle). All of that is great for writing 50,000 words, but not as good for writing a cohesive novel.

After a comfortable break—and wrapping another project—I’m ready to tackle this mess, and thought it was a good time to talk about how I start a revision.

Make a Schedule

The first task is to assess how much I have to read, and then make a schedule. While I’d like to finish the assessment pass in two weeks, I have a lot to read and some other obligations this month, so I’ve stretched my schedule to finish by the end of February.

I considered dividing the number of scenes or number of words by the number of days, but that can lead to some awkward splits and I’d rather make sure I’m comparing multiple options for the same scene on the same day. Any scenes not divided into chapters (which is most of them), I grouped by related content and then divided those into reasonable chunks. I also took my work and social calendar into account, so I wasn’t scheduling too much on a day when I was otherwise busy. At the end of this process I had a calendar and knew exactly what I should be working on each day.

Read the Draft

Once I’m ready to start reading, I gather my materials:

  • My manuscript (on the computer, currently)
  • A notebook
  • A pen
  • Highlighters

I set up my notebook with the working title of the manuscript, date, and the title of the first scene. Each new section of my notes starts with the title of the scene. Right now the scene titles are a letter for the first name of the POV character and a few words describing what happens. My first scene is “A: Boarding” because it’s when Alex boards the pirate ship.

This assessment pass is strictly to review ideas, figure out what’s missing from the plot, and choose which of those divergent paths I like best, so a lot of my notes are questions. Sometimes those questions are about when information is revealed (and I may find the answer in a later scene). Sometimes those questions are about research or world building that I need to develop. Generally most of my notes center around the plot and character relationships. I also jot down the existing character, setting, and world details, so I can start refining those aspects to later create consistency.

Within each section I take notes roughly in chronological order. I try to group character and setting details together, which may mean that I leave a few blank lines after a character introduction or when we enter a new setting, just in case I wrote some other pertinent details later in the scene.

At the end of each scene I write a one or two sentence summary. This summary should include the most important thing about the scene (from a plot and/or character standpoint) and will later act as a guide to help me figure out if the scene is important enough to make it to the next draft and if it’s in the correct place.

As a final step, I highlight headings so I can reference information later—characters are pink, world building and setting is blue, and plot is yellow. I use green to mark scenes I want to keep or elements in scrapped scenes I want to include in the next draft.

Assess the Draft

After I’ve finished the entire manuscript, I review my notes on what I’ve already written to figure out what adjustments need to be made to my outline, what scenes still need to be written, and what scenes belong in the trash file (I never delete my work while I’m drafting—I never know when I might want to return to an idea or description). By the time I’ve done that review of my notes, I should be ready to start writing again! We’ll find out at the end of February.

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One-Size-Fits-All

Have you ever searched for that one piece of writing advice that will magically make writing easier and your stories better? Have you ever thought that you found it, only to discover that it doesn’t work for your best friend? Or has your friend given you a piece of “magic” writing advice that doesn’t work for you? That is the road of writing advice. Writing advice isn’t one-size-fits-all because the creative process is varied and subjective. Heck, writing advice isn’t even one-size-fits-a-single-career. The writer you are today may not be the writer you were yesterday or the writer you’ll be tomorrow, and the process that worked for you then may not work for you now.

Just six years ago I was living a lifestyle that would not support writing every day. I had more responsibilities and a demanding job with a schedule that had less flexibility. Now I’m self-employed, which means I have more control of my schedule, and it’s easier for me to plan time to write every day, even on busy days.

Just six years ago I wrote in binge spurts, up to 4,000 words in a day. But I only wrote 158 days out of 365. This year I’ve only had a handful of days where I passed 1,000 words.

Just six years ago I wrote short stories, rather than novels. Those binge sessions of writing frequently corresponded to writing a first draft of a short story. A first draft of a chapter usually isn’t longer than 2,000 words for me, which means binge sessions are shorter.

It’s clear the writer I was six years ago is not the same writer I am now, which means the writing advice and processes I followed then may not be effective for me any more. Redefining myself as a writer from 2011 to 2017 has taken some work. Some of it is organic, like discovering that I could write daily with a little motivation and consistency. Some of it is decisive, like focusing on novels rather than short stories. And the rest of it has required experimenting because I’ve had to hunt for new processes and advice that works for this new writer that I’ve become.

Which is where all that disparate, subjective, one-size-will-never-fit-all writing advice comes in. Writing advice isn’t and shouldn’t be thought of as a one-size-fits-all magic solution. Writing advice is an opportunity to try something new and see if it works for you (or if it works for you now). Trial and error is the queen among writers—that’s actually what the drafting and revision process is about. So consuming as much writing advice as you can, trying what sounds interesting, and throwing away what doesn’t work is the way writing advice works best. The only writing advice that is truly one-size-fits-all is to try everything, and then in five years, try it again. Writing is about reinvention and no one is reinvented as often as a writer.

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