Tag Archive for: workshops

This month has been chaotic and exhausting! Even though that’s part of the write life, it isn’t the part I feel like commemorating and discussing this month. Instead, let’s talk about upcoming events and where you can find me and my advice in the near future!

Upcoming Workshops

Writing Advice You Can Ignore

Virtual Workshop — Thursday, June 6 at 7pm ET (click to register)

Orange background with squiggly lines and confetti around the text "Writing Advice You CAN Ignore by Alli Martin," one of two upcoming events available online.I’m teaching a new workshop this June called Writing Advice You Can Ignore. Most writing advice is well-meaning but not one-size-fits-all. Because of that less-than-universal quality, some advice can do damage to writers who try to follow it or make those writers feel like “they’ll never be a real writer.” I’ll be covering several common pieces of writing advice to break down why the advice is given, when you should ignore it, and when it might actually help you.

If you’re struggling to feel like a Real Writer because you can’t follow some advice you’ve been given, check out this free workshop to discover it’s not you, it’s the advice.

Time Management for Writers

Virtual Workshop — Tuesday, July 2 at 7pm ET (click to register)

Dark blue background with organized boxes framing the text "Time Management for Writers by Alli Martin," one of two upcoming events available online.About a month later I’ll be sharing one of my newer workshops, Time Management for Writers. This workshop steps you through how to make the most of your writing time and how to prioritize your writing to actually finish projects.

This workshop is great for writers who are struggling when they sit down to write and for writers who are struggling to find any time to write.

 

Both virtual workshops are being hosted by the Orange County Library but are open to anyone from anywhere. When you register at the workshop links above, if you don’t hold an OCLS library card, just skip that part of the registration and know you are very welcome to attend!

Book Launch

But before those other upcoming events, I’ll help helping my friend José with the book launch for his middle grade book Benny Ramirez and the Nearly Departed.

I’m very excited to support my friend who has been an amazing contributor to the writing community. This is truly an occasion to celebrate!

If you’re local to Central Florida, join us in Orlando at the Dr. Phillips Barnes & Noble on Saturday, May 4. The festivities (including a reading and signing by José Pablo Iriarte) begin at 2pm.

 

 

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I’ve recently been focused on mental health, and since I write all the time, how mental health relates to—and sometimes hinders—writing. While I’ve discussed many methods I use to maintain productivity and focus (and will be doing so again in a workshop on June 12), and ways to repackage and reevaluate my goals to keep my outlook positive, one thing I haven’t talked much about is community.

Writing is most often a solo pursuit. Unless you’re working with a co-author, writers spend a lot of time engaged in the solitary activity of translating thoughts into words. (And even if you do work with a co-author, your process still might involve a lot of independent writing.) Writers can spend a lot of time thinking, writing, and revising without input from anyone else—let alone input from colleagues who understand what you’re doing, why you’re doing it, or how to do it better.

Without that outside input—without a community of other people who “get” it—writing can be very lonely.

Which is one reason I rely on and love creative writing communities. (And, okay, may be one reason I wind up running far too many of them, too.)

While the big communities of hundreds of people can be great for pooling resources and finding out what’s going on in publishing or best practices for querying, self-publishing, or any other writing topic, it’s easy to get lost in all those posts and walk away with knowledge but no connection. So, the type of community I think is most helpful from a writing and mental health perspective is a small community in which you’re expected to get to know and interact with other writers on a more personal level.

The community that’s been the best for me is my local, in-person writing group Central Florida Inklings. Pre-pandemic, we met once a week at Starbucks for two to three hours of writing. Being in person and having a flexible routine meant there was a lot of cross-chatter and friendship. During the pandemic, we switched to an online format, which thinned our ranks a bit as some writers need the in-person push and others had to increase their self-care, but it also allowed me to increase the number of weekly meetings. We currently have four regular meeting times with sporadic others, providing consistent check-ins with other writers.

We talk about our current writing (and publishing) struggles, assist with brainstorming, and offer much needed support and confidence boosting. Being around and having access to other people who understand how it feels when I can’t get a sentence right, or who can offer a new resource for inspiration helps keep me writing on tough days. And having that nearly daily writing session set up in advance? There’s no question about when I’ll write because I need to show up for my community.

We had an in-person gathering last month, which was the first time we’ve been together since last August. Being face to face with these writers and friends eased my heart and bolstered my mental health. We, uh, didn’t actually do much writing, but being with my community again helped in a different way, and the next time we’re together, I’m sure we’ll all write more.

If you’ve been struggling to write in isolation—or if you’ve been moderately successful but are not yet where you want to be—I recommend finding a writing group. You can check out the big communities on Facebook or Twitter and see who you gel with, or just look around your writer friends and see if you can pull together a support group. Whatever you do, find some writer friends! It just might change your writing life. (I know it changed mine.)

 

 

If you haven’t seen it elsewhere, I started a podcast! My writing partner KL! and I are hosting a podcast about writing and inspiration called Story Kernels. In each episode, we take a writing prompt and develop it into a story, walking you through the process of creation (and working in collaboration). New episodes upload on Thursdays throughout the summer.

You can catch episodes on our website, Patreon, or by subscribing on your favorite podcatcher.

 

 

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Sometimes there is no sugar-coating life, and our best-laid plans crumble into failure. That’s what happened to me this past April after signing up for a writing boot camp at SavvyAuthors called One Scene a Day. I started the month with the best intentions of shoving my way through a huge chunk of my novel, or at least participating in the daily check-ins, and weekly lessons and activities.

On April 1st, I replied to the welcome post, stated my intentions, and did my best to keep up with the daily writing.

Uh, by April 3rd I was struggling to get into my novel and rethinking where I could start and how I could do this—but I was still definitely going to do it!!

And by April 7th I had totally abandoned the check-ins, though I made plans with a friend to send her what I’d written each day. I also finally found a way into my novel (by skipping Chapter 1 entirely).

And then I was distracted by Flights of Foundry and stopped pretending I was going to do that boot camp because I had already fallen far enough behind to understand not that I was a failure, but that this wasn’t a good way for me to work.

Many times when we attempt a routine or schedule as a creative and it fails, we assume there’s something wrong with us and we turn that frustration inward, blaming ourselves. We can walk away with the wrong message, thinking that our failure means we’ll never be able to write a novel or live a creative life or be successful. But a failure at a specific creative process doesn’t mean a failure in creativity, it means that process doesn’t work for you. Speed drafting DOES NOT work for me. I knew that from participating in NaNoWriMo, but thought the structure of this workshop would allow enough breathing space that I could do it. Instead, I learned something else about myself:

It takes me a lot of time to get into a project.

So, starting with Chapter 1 wasn’t working for me. And then expecting myself to sprint through Chapter 2 was also not working for me. You know what is working for me? Writing 100 words or so every day. I’m still in Chapter 2, but I have a start now, and I’ve reconfigured the arrangement with my friend to send her my writing for the week (rather than day by day). When I get into the draft and can go faster, we’ll increase the number of check-ins per week, but for now I’m accepting where I am, redefining this “failure,” and making adjustments to my process so that I can make progress without feeling frustrated.

The key to having a writing life is figuring out what works for you and not comparing yourself to anyone else.

&

Speaking of workshops and writing, I’m teaching a free virtual workshop later this month called Write Time Travel Fiction. If you’re interested in writing about time travel, I’ll be exploring both the hand-wavey and theoretical science that sends your characters into the timestream and how you can use time travel to tell a story. You can register (again for FREE) at OCLS. (No library card is needed, just leave that bit blank.)

 

 

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This month has been built on seizing opportunities. Which is not a mode I’ve been operating in for some time. My recent modus operandi has been:

  • See opportunity.
  • Want opportunity.
  • Assume I am fit for opportunity.
  • Question all of my qualifications and abilities to fulfill opportunity.
  • Assume someone else wants or needs opportunity more than me or will do better with opportunity.
  • Oops, the time in which I should have replied for opportunity has probably passed, guess I shouldn’t bother.

Some of that downward spiral is about protecting myself—not just from rejection but protecting my time. I am spread fairly thin between all the hats I wear as a writer, editor, and volunteer (and all the things I write, edit, and volunteer for), so passing on opportunities can be a form of self-care and self-preservation.

Photo by Casey James on Unsplash

But passing on those opportunities also means I haven’t been putting myself out there to take on responsibilities I really want. Those responsibilities that, if I had them, I would figure out how to rearrange my plate or scrape away the least tasty responsibilities to make room for the new delicious serving. (I started visualizing mashed potatoes in the middle of writing that and now I’m just hungry.)

But I’ve been feeling a lot better this last month—a lot more positive and a lot more in control of my anxiety and other mental health issues—so I skipped the last three spiraling bullet points and, after I assumed I was fit for an opportunity, I actually went for it!

That means if you’re interested in learning how to write steampunk, cyberpunk, solarpunk, or another punk genre, I’ll be teaching a workshop about it in February 2022. I’ll post more details when registration is available, but it will be a four-week course covering eight punk subgenres to hit topics of worldbuilding, tropes, themes, and conflicts. I’ve been thinking about teaching this workshop for years, so I’m very excited to finally be doing it.

 

 

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This month was all about workshops—workshops I attended and workshops I presented.

My first stop was the Orange County Library to learn about world building from Arielle Haughee. Her approach to world building starts with creating maps, ranging from the broad to the more specific aspects of the world. I tend to make maps late in my drafting process—you know, after I’ve written the location of the main character’s house and then written something else that completely contradicts that. With Arielle’s process, I could have those details knocked out in advance and have some potential ideas for conflicts and obstacles presented by the distribution of resources in the world and difficulty of the terrain and transportation. Basically, her presentation knocked my planning socks off, and has encouraged me to go play with the mapmaking app I found a few months ago.

The next stop in my writerly education was the Central Florida Inklings where I hosted Saritza Hernandez, Senior Literary Agent at Corvisiero Literary Agency. Saritza talked to my writing group about preparing your manuscript for submission to a literary agent or publisher and shared tips for writing a query letter and synopsis. Saritza broke down the need for a literary agent (even for self-published authors) and clearly described what will encourage an agent to keep reading your submission. She also talked about ways to research the market, giving me a few additional ideas to work into my process.

My last workshop of the month was back at the Orange County Library, but this time I was presenting. I shared my love of steampunk, breaking down the essential elements of the genre and helping other writers figure out what makes a story steampunk. (Hint: it’s more than just cogs and corsets, gears and goggles.) I covered 19th century aesthetics, technology, and social issues, as well as character and story tropes specific to steampunk. This and other presentations will be available by the end of the year on Patreon for patrons pledging $7 or more.

In news of other presentations, I’m working on finalizing my schedule for DragonCon where I’ll be on four or five panels across two or three tracks. Right now I’m confirming there are no conflicts across the track schedules, but you can guarantee I’ll be talking about time travel that weekend—maybe more than once!

 

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In mid-March my friend ran a mini-workshop on branding for myself and two other author friends. In addition to getting away for the weekend and spending entirely too much time browsing through the rooms and rooms of used books at Chamblin Bookmine, we discussed who we each are as authors, helped refine brand statements, and created vision boards to help guide our individual progress. (Spider-Man and Into the Spider-Verse sneaked into my vision board when I realized my cog looked more like a spider-logo—still on brand.)

Talking about who I am as a writer and trying to find a statement to encapsulate both writing about alternate history and writing about the future, as well as writing about robots and gender disparity and all the other bits and bobs of odd sci-fi that surfaces in my thoughts was a bit of a challenge. I had to strip down who I write about and focus on that more than on what I write. It was also a great experience to analyze why the things I write about are important to me. (I mean, I knew already, but being forced to articulate it in a non-glib way was a helpful step in taking myself seriously.)

Even though “branding” can be a scary business word that seems like you’re selling yourself as a product, it’s actually more about figuring out how to articulate what you do as an artist in a bite-sized way. That bite-size isn’t just helpful for selling yourself or your art. It’s also helpful for guiding your creativity and making choices about which opportunities to pursue and how to develop projects. It’s a way to capture who you are as an artist at this point in your career, and I think that’s the thing that I found the most helpful about the weekend.

In the end, I realized I write about various forms of agency. Whether that’s women reclaiming agency in alternate history worlds or robots shucking their programming or proving they are more than their overlords believe them to be, my stories directly deal with characters reclaiming agency and learning to be more human than they ever believed. Since articulating that, it’s been easier for me to write and to capture the story I’m trying to tell. If you’re struggling with your fiction, I apparently recommend working on your brand!

 

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I started December by finishing off a final revision of my Clockman novel. (Yes, another final revision.) This pass included addressing some concerns I had about Chapter 12 and then reviewing the entire manuscript for filler words and adverbs to make sure the sentences were as tight as they could be. I used some of the website apps I’ve talked about previously in Writer Resources (available on Patreon) to assist with these passes, which made looking for filler words and adverbs a breeze.

The manuscript is currently off with a friend from the MFA and my MFA thesis director, and I’m doing a final (“final”) hard-copy review wherein I’m discovering horrifying typos and further tweaking sentences (because I. Am. Unstoppable!) Our formerly feral cat Pink is assisting in this work, but he keeps falling asleep on the job (sometimes literally on top of the book).

I’ve also been preparing a presentation on Non-Traditional Revenue Streams for Writers (like Patreon), which I’ll be presenting at the OCLS Writers Conference on January 26. If you’re local to Central Florida, make sure you register soon! (Seats are going fast.)

 

For full access to The Write Life, sign up on Patreon for $1 or more per month. You’ll also receive a personalized thank you in a future edition of The Write Life.