Tag Archive for: solarpunk

This month has been built on seizing opportunities. Which is not a mode I’ve been operating in for some time. My recent modus operandi has been:

  • See opportunity.
  • Want opportunity.
  • Assume I am fit for opportunity.
  • Question all of my qualifications and abilities to fulfill opportunity.
  • Assume someone else wants or needs opportunity more than me or will do better with opportunity.
  • Oops, the time in which I should have replied for opportunity has probably passed, guess I shouldn’t bother.

Some of that downward spiral is about protecting myself—not just from rejection but protecting my time. I am spread fairly thin between all the hats I wear as a writer, editor, and volunteer (and all the things I write, edit, and volunteer for), so passing on opportunities can be a form of self-care and self-preservation.

Photo by Casey James on Unsplash

But passing on those opportunities also means I haven’t been putting myself out there to take on responsibilities I really want. Those responsibilities that, if I had them, I would figure out how to rearrange my plate or scrape away the least tasty responsibilities to make room for the new delicious serving. (I started visualizing mashed potatoes in the middle of writing that and now I’m just hungry.)

But I’ve been feeling a lot better this last month—a lot more positive and a lot more in control of my anxiety and other mental health issues—so I skipped the last three spiraling bullet points and, after I assumed I was fit for an opportunity, I actually went for it!

That means if you’re interested in learning how to write steampunk, cyberpunk, solarpunk, or another punk genre, I’ll be teaching a workshop about it in February 2022. I’ll post more details when registration is available, but it will be a four-week course covering eight punk subgenres to hit topics of worldbuilding, tropes, themes, and conflicts. I’ve been thinking about teaching this workshop for years, so I’m very excited to finally be doing it.

 

 

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In 2008 one of my friends introduced me to the term “steampunk.” I’d say that I fell in love then, except I’d apparently been a fan of this genre without having known it existed. That’s the thing about punk sub-genres, they’re still not well known and even if you know about them, there are so many—and so many new ones—that they can easily be confused by even the most knowledgeable.

With how many punk subgenres there are, figuring out in which one a story “belongs” can be a tricky thing. For me, punk genres are defined by three things:

  1. the time period and aesthetics
  2. the technology
  3. the punk social element

There are other elements that identify specific genres (steampunk is often optimistic whereas cyberpunk is often cynical), but these three earmarks are apparent in most punk subgenres, which is why I find them so helpful for classification.

I’m limiting my exploration to eight punk subgenres that are relevant either as to their popularity or for illustrating examples of identification. This is by no means a complete list of punk subgenres, and will probably be an outdated list within a year, so take this as an introductory guide to figuring out how to break down punk subgenres into their elements.

The Time Period & Aesthetics

The time period defines many of the other elements, so it is one of the most definitive indicators of a punk subgenre. Even stories set in the future or in a completely fictional universe on a different planet are inspired or influenced by these time periods. Identifying the historical influence can help narrow down the genre since there are very few overlaps in those aesthetics.

      Clockpunk 1300–1550
      Steampunk 1830–1900
      Dieselpunk 1910–1945
      Decopunk 1920–1950
      Atompunk 1945–1965
      Cyberpunk 1980–future
      Biopunk 1990–future
      Solarpunk 2000–future

For alternate histories, these dates aren’t hard starts and stops. One thing to consider is what those years have in common and if it makes sense to include a story outside of that range. For example, steampunk is largely defined by the Victorian Era, which corresponds with the reign of Queen Victoria (1837–1901). I’ve seen stories listed as steampunk (and that I recognize as being steampunk) taking place as late as 1910. But they worked as steampunk stories because they highlighted other story elements recognizable as steampunk (which I’ll get into below).

In addition to the time period, stories have to take into account cultural aesthetics. As mentioned, Victorian England has greatly influenced steampunk as a genre, but there is also steampunk based on American and non-Western settings. These stories take aesthetic notes from the locations and cultures in which they are set. While bustles and four-in-hand ties can be indicators of steampunk, so can spurs and boots and kimonos. It all depends on which time period and cultural notes are used for inspiration.

The Technology

The technology is partly dependent on the time period. Even though many punk genres have a science fiction element that pushes the technology beyond what was possible within that time period, it still has a historical (or contemporary) basis. For many punk subgenres, the technology is in the title.

      Clockpunk — clockwork technology, no engines (lots of clicking)
      Steampunk — steam technology, including trains and steam engines
      Dieselpunk — diesel-based technology, like combustion engines
      Decopunk — technologies appropriate to the time period 1920–1950
      Atompunk — nuclear technology, most especially the atom bomb
      Cyberpunk — cyber technology, internet, wired or wireless, virtual reality
      Biopunk — merging technology with biology, electronic or digital prosthetics
      Solarpunk — renewable energies, specifically solar powered

The only genre in the above list that doesn’t have a nod to the technology in the title is decopunk. The name “decopunk” refers to the aesthetics of the genre. To me, that means the aesthetics are as important to decopunk as steam is to steampunk or biotechnology is to biopunk. It also forces us to reconsider what we mean when we say “technology.” Is technology just weapons and vehicles, or does it include the ability to mass-produce clothing and furniture? Does it include the timesaving home technologies that allow people the freedom to visit a speakeasy? Does it include the ability for a detective to analyze fingerprints? The point being: there’s a lot of technology that isn’t easily summarized in one word, and decopunk is a good example of how that technology might appear in a punk subgenre.

An important note on the technologies: there is always an overlap in time periods because technology is always moving forward (and a story with strong science fiction elements may be leaning into that progress). Reality functions in much the same way. For example, the atom bomb was being developed during prime years covered by the dieselpunk time frame. In that case, to figure out if a story is dieselpunk or atompunk, the social concerns and aesthetics need to be considered. Would you classify a story set in 1938 about the construction of the atom bomb as dieselpunk or atompunk? What’s the primary technology being discussed/used?

The Social Element

The counterculture element is the core of a punk story. Social concerns and a reaction against certain culture movements are, after all, what makes a story punk. Any of the isms can be a focal social concern: racism, sexism, and classism are common topics in steampunk. Individuality is a common topic in cyberpunk. Atompunk focuses around concerns of nuclear war and nuclear energy, whereas solarpunk tends to take on environmental concerns and renewable energy. Most of the social concerns grow out of the time period that influences the genre.

Some potential (but not all) social concerns for the genres:

      Clockpunk — religious influence, exploration & trade, diversified division of labor
      Steampunk — colonialism, sexism, racism, classism, factory work/unions
      Dieselpunk — nationalism, world war, factory work/unions, women’s suffrage
      Decopunk — decadence, apathy
      Atompunk — atomic energy, nuclear war/winter, space flight, civil rights
      Cyberpunk — individuality, autonomy, humanism, transhumanism
      Biopunk — humanism, transhumanism, body modification
      Solarpunk — environmental issues, renewable energy

For genres in which the time periods overlap, the social elements are often the defining traits of the genre. Decopunk and dieselpunk cover nearly the same time period and would ultimately use the same technology, however a decopunk story will be more urban, upper class, and decadent. The social concerns will likely include a reaction against decadence and apathy. In dieselpunk, characters will interact more personally with gasping combustion engines and the thrust and grime of mechanics, expressing opinions on nationalism and world wars or the advent of the assembly line.

Some social concerns are shared across genres, so the key to identifying the genre may lie in identifying how that social concern is being addressed. A transhumanism issue in cyberpunk is likely to include how the mind connects with a computer or virtual reality, whereas in biopunk the concern is grounded in modifying a physical body and exploring the question of what defines a body as “human.” Identifying the genre by the social element requires depth of knowledge about the genres and the subject of the story.

A Grain of Salt

While these are earmarks I find particularly helpful for identifying genres, there is a caveat here in that genre definitions can change as genres age and become defined by the works rather than the works being defined by the genre. Early steampunk work and some recently marketed novels don’t gel with the definitions I outlined above, so in general I recommend keeping your definition in mind for your own work and for your bookshelf, but not fussing too much if someone’s classification doesn’t entirely align with your own. Genres are used primarily for marketing, which means whenever a genre is hot, the definition for what fits in that genre widens considerably.